Gemma Anderson-Tempini

Belfast, 1981 (Now lives and works in Devon)

Artist Statement

My work generates what I call scientifically informed visions: images that emerge at the intersection of art, science, and lived experience. Through drawing, I develop a feminist epistemology that values risk, uncertainty, and collaborative knowledge-making. My practice operates as a social and philosophical intervention into scientific culture, using iterative image-making to refine concepts and make visible what remains hidden from conventional observation.

Drawing serves as my primary methodology, a way of knowing that creates conditions for slowness, deep thinking, and reflection. I work with materials rooted in place, from collaborative and relational process drawing, to fieldwork for direct observation and creating earth pigments from geological formations that anchor abstract concepts in tangible matter. This approach embodies what I consider epistemological degrowth: a deliberate resistance to extraction and acceleration in favour of patient, embedded inquiry.

My research spans multiple scales, from molecular processes to higher-dimensional geometry. Recent work explores body mapping the mycobiome and breastfeeding as a living biological process. These investigations build on my long-term collaboration with scientists, philosophers and mathematicians, where drawing has revealed dynamic relationships within cells, organisms, and ecosystems, challenging static representations with images that capture transformation itself.

Motherhood has profoundly shaped my practice. My Artangel commission And She Built a Crooked House fused the experience of parenting twins with four-dimensional spatial thinking, exploring concepts like being in two places simultaneously and turning inside out. These are not merely metaphors but genuine phenomenological investigations into embodied maternal experience.

Throughout my work, whether visualizing protein folding, embryonic development, or deep geological time, I privilege observation and imagination as essential tools for understanding our entirely interconnected existence. My drawings, writings and sculptures invite viewers to perceive the world as process rather than object, emphasizing our symbiotic relationships with human and more-than-human neighbours across temporal and spatial scales.

 

Education

  • 2011-15: PhD in Drawing, University of the Arts London
  • 2005-07: MA Fine Arts Printmaking, Royal College of Art
  • 2006: University College London, Anatomy for Artists Certificate
  • 2002-05: BA Fine Art, Falmouth College of Art
  • 2001: Foundation Studies in Art and Design, University of Ulster

Selected Exhibitions/Projects

Artangel / ZKM Center for Art and Media Karlsruhe / Victoria and Albert Museum / Wellcome Collection / Camden Arts Centre

  • 2023-2024: And She Built a Crooked House, Artangel and Leeds 2023 Commission, Leeds
  • 2023: ‘Of Genes and Human Beings’, Deutsches Hygiene-Museum, Dresden
  • 2022-2023: ‘The Botanical Revolution in Contemporary Art’, Kroller-Muller Museum, NL
  • 2020-2022: ‘Critical Zones. Observatories for Earthly Politics’, ZKM | Center for Art and Media Karlsruhe
  • 2021-2022: ‘From Forces to Forms’, Pratt Manhattan Gallery, New York City, US
  • 2020: ‘The Botanical Mind: Art, Mysticism and the Cosmic Tree’ Exhibition at Camden Arts Centre, London
  • 2020: ‘Drawn to Investigate’, Ruskin Museum of the Near Future, Lancaster
  • 2019: ‘Unbounded’, Eden Project, Cornwall
  • 2019: ‘GÄA: Holistic Science and Wisdom Tradition’, Newlyn Art Gallery and The Exchange, Cornwall
  • 2018: ‘Making Life Visible’, Faulconer Gallery, Grinnell College, Iowa
  • 2017: ‘Temporalities’, BKA-Veranstaltungsraum, Vienna
  • 2015-16: ‘Facing History’, Victoria and Albert Museum, London
  • 2016: ‘A Sketch of the Universe: Art, Science and the Influence of D’Arcy Thompson’, Edinburgh City Art Centre
  • 2015: ‘Crooked Rain, Crooked Rain’, Centre for Contemporary Art, Derry, N.Ireland
  • 2015: ‘Contemporary British Drawing in China’, Xi’an Academy of Fine Art, China
  • 2015: ‘A Call for Drawings’, MaHKU, University of the Arts Utrecht and UCL, London
  • 2014: ‘Drawing Making: Making Drawing’, The Drawing Room, London
  • 2013: ‘Coral’, Manchester Museum, Manchester
  • 2010: ‘SKIN’, Wellcome Collection, London

Solo Exhibitions

Artangel / Freud Museum / Acme Project Space / Daiwa Anglo-Japanese Foundation / Globe Theatre

  • 2023-2024: And She Built a Crooked House, Artangel and Leeds 2023 Commission, Leeds
  • 2018: Bio-Art, Museum of Special Collections, University of Amsterdam
  • 2017: Isomorphology and Isomorphogenesis, Konrad Lorenz Institute, Klosterneuburg, Austria
  • 2016: Drawn Investigations from Art and Science, Naughton Gallery, Queen’s University, Belfast
  • 2014: Riddles of Form, Galerie Thore Krietemeyer, Berlin
  • 2013: Isomorphology, Ebb&Flow Gallery, London
  • 2011: Drawing in the Natural Sciences, Jerwood Project Space, London
  • 2011: Portraits: Patients and Psychiatrists, The Naughton Gallery, Queens University
  • 2010: Portraits: Patients and Psychiatrists, Freud Museum, London
  • 2010: Drawings and Etchings of Ezo, Daiwa Anglo-Japanese Foundation, London
  • 2010: Portraits: Patients and Psychiatrists, Acme Project Space, London
  • 2010: Portraits: Patients and Psychiatrists, Globe Theatre, London

Peer Reviewed Articles, Book Chapters and Books

Drawing Processes of Life / Drawing as a Way of Knowing in Art and Science

  • [book Chapter] Anderson-Tempini, G. and Wakefield, J., Drawing as Epistemology: Transferring Artistic Methodologies to Scientific Understanding, in Bloomsbury Handbook of Drawing Research (Forthcoming)
  • [edited book] Anderson-Tempini, G. and Dupré, J., (Eds) 2023, Drawing Processes of Life, Intellect Press
  • [book chapter] Anderson, G., 2023, ‘The Protein Maze’, Pattern and Chaos: Making and Meaning, Intellect Press
  • [journal article] Anderson, G., 2021, ‘Forking Paths: Depicting Mitosis through Process-based Diagramming’, special issue ‘Demands of the Diagram’, Journal of Visual Art Practice, Taylor and Francis
  • [journal article] Anderson, G., Jaeger, J., Verd, B., 2020, ‘Drawing to Extend Waddington’s Epigenetic Landscape’, Leonardo, MIT Press
  • [book chapter] Anderson, G., 2020, ‘Moving beyond the specimen: From drawing objects to drawing processes’ in Juler, E. and Robinson, A., (Eds.), ‘Post-Specimen’, Intellect Press
  • [journal article] Anderson, G., 2019, ‘Dynamic form: Klee as artist and morphologist’, Antennae: The Journal of Nature in Visual Culture, Giovanni Aloi
  • [journal article] Anderson, G., Dupré, J., and Wakefield, J.G., 2019, ‘Philosophy of Biology: Drawing and the dynamic nature of living systems’, DOI: 10.7554/eLife.46962
  • [book] Anderson, G., 2017, Drawing as a Way of Knowing in Art and Science, Intellect Press
  • [book chapter] Bapteste, E., Anderson, G., 2018, ‘Sketching a processual typology for evolutionary biology’, in Dupré, J. and Nicholson, D. (eds.) Process Philosophy for Biology, Oxford University Press
  • [journal article] Anderson, G., 2016, ‘Drawing Resemblance and Isomorphology’, Architectural Theory Review 20(30) 336-349
  • [journal article] Anderson, G., Buck, D., Coates, T. and Corti, A., 2015, ‘Drawing in Mathematics: From Inverse Vision to the Liberation of Form’, Leonardo, MIT Press, 48(5), pp. 439-448
  • [online article] Anderson, G., 2016, ‘ISOMORPHOLOGY: An Introduction to Principles and Practice’, Journal of Zoology Blog (https://jzoblog.wordpress.com/)
  • [book chapter] Anderson, G. and Corti, A., 2015, ‘Notes from an Artistic Collaboration’, in Emmer, M. and Abate, M. (eds.) Imagine Maths 4. Unione Matematica Italiana; pp.72-82
  • [journal article] Anderson, G., 2014, ‘Endangered: A Study of Morphological Drawing in Zoological Taxonomy’, Leonardo, MIT Press, 47(3), pp. 232-240
  • [journal article] Anderson, G., Buck, D., Coates, T. and Corti, A., 2014, ‘Drawing in Mathematics: Geometry, Reasoning and Form’, TRACEY (Online Journal: http://www.lboro.ac.uk/microsites/sota/tracey/journal/thin/2014/anderson.html)

Artist Books

  • Anderson, G., 2015, Isomorphology, Atlantic Press, Falmouth
  • Anderson, G., 2013, Isomorphology: An Introduction, Super Collider Press, London
  • Anderson, G., 2013, Isomorphology (Exhibition Publication), London
  • Anderson, G., 2011, Artist-in-Residence Publication, Jerwood Foundation, London
  • Anderson, G., 2010, Portraits: Patients and Psychiatrists, The Wellcome Trust, London

Printed Materials

  • Hamacher, Sophie, 2023, Supervision: On Motherhood and Surveillance, MIT Press
  • Kröller Müller Museum, 2022, Botanical Madness ‘Plant Thinking in Contemporary Art’
  • Morra, Joanne, 2015, Inside the Freud Museums: History, Memory and Site-Responsive Art
  • Jarron, Matthew, 2014, A Glimpse of a Great Vision: The D’Arcy Thompson Zoology Museum Art Fund Collection, University of Dundee
  • Endt-Jones, M., 2013, Coral: Something Rich and Strange, Liverpool University Press
  • Maslen, M., Southern, J., 2011, Drawing Projects: An Exploration of the Language of Drawing, Black Dog Publishing, London
  • Richards, P., 2009, Isolated, The Golden Thread Gallery, Belfast

Music Production

  • 2023: ‘Folding to Infinity’, composition and performance by Plumm, production and lyrics by Gemma Anderson-Tempini

Awards

  • 2025: Henry Moore Foundation Artist Award
  • 2025: Royal Albert Memorial Museum Commission ‘Living Labyrinths: Art and Fungi’
  • 2024: Arts Council England DYCP Award
  • 2024: Wellcome Trust Early Career Award (Shortlisted for interview)
  • 2017-21: Arts and Humanities Research Council (AHRC) Award (£377K), “Representing Biology as Process” (co-investigator)
  • 2017: KulturKontakt Art Residency, Vienna, Austria
  • 2016: British Council Award, Artist in Residence, Northern Ireland Science Festival
  • 2015: Falmouth University Research and Investment Scheme Award
  • 2015: KALEID editions selection of Isomorphology Artists Book
  • 2014: Collaborator on Leverhulme Research Programme Grant (P.I., Dr. Dorothy Buck, Imperial College)
  • 2014: Falmouth University Research and Investment Scheme Award
  • 2012: Leverhulme Artist in Residence Award, Imperial College London
  • 2011: Engineering and Physical Sciences Research Council, Pathways to Impact
  • 2011: University College Falmouth, PhD Studentship Award
  • 2011: Royal Society, Special Project Award
  • 2010: Arts Council of Northern Ireland Individual Artist Award
  • 2009: Wellcome Trust Arts Award
  • 2009: Royal Hibernian Academy Thomas Dammann Junior Memorial Trust Award
  • 2008: Arts Council of Northern Ireland Individual Artist Award
  • 2007: Mann Group Drawing Prize, Royal College of Art
  • 2006: Mann Group Drawing Prize, Royal College of Art

Selected Residencies

  • 2019: Cill Rialaig, Ballinskelligs, Ireland
  • 2018: Artist in Residence, Faulconer Gallery, Grinnell College, Iowa, US
  • 2017: KulturKontakt Art Residency, Vienna, Austria
  • 2017: Artist in Residence (collaborator), Barbican Centre, London
  • 2017: The Cornwall Workshop, Kestle Barton, Cornwall
  • 2016: Konrad Lorenz Institute, Vienna, Austria
  • 2016: Artist in Residence, Northern Ireland Science Festival
  • 2016: Cill Rialaig, Ballinskelligs, Ireland
  • 2015: Kestle Barton, Rural Arts Centre, Cornwall
  • 2014: Cill Rialaig, Ballinskelligs, Ireland
  • 2013: D’Arcy Thompson Museum of Zoology, Dundee University
  • 2012: Leverhulme Artist in Residence, Imperial College, London
  • 2011: Cill Rialaig, Ballinskelligs, Ireland
  • 2010: Jerwood Foundation, Artist in Residence (Visual Arts), London
  • 2010: Acme Fire Station Residency, London
  • 2010: Arts Council of Northern Ireland, New York Residency
  • 2009: Centre Culturel Irlandais, Paris
  • 2009: Cill Rialaig, Ballinskelligs, Ireland
  • 2008: Intercross Creative Centre, Sapporo, Japan

Public Collections

  • Victoria and Albert Museum, London
  • Wellcome Trust Collection, London
  • The Natural History Museum, London
  • Arts Council of Northern Ireland, Belfast
  • Joan Flasch Artists’ Book Collection
  • MoMA Library Collection
  • Metropolitan Museum of Art Library Collection
  • D’Arcy Thompson Museum, Dundee University
  • Braid Museum and Art Centre, Ballymena, Northern Ireland
  • Queens University, Belfast, Northern Ireland
  • The Bethlem Museum, London

Selected Research Presentations and Talks

  • 2025: ‘Edible Bodies’, Invited Speaker, Ferment Group, NC State Public Science Lab.
    2025: ‘Bodymapping the Mycobiome’ Centre for Medical Mycology, University of Exeter.
    2024: Keynote, International Conference on Drawing Across Disciplines, University of Porto, Portugal
  • 2024: Invited Speaker, The Northern Drawing School ‘Drawing and Mathematics Convention’, Skissernas Museum, Lund, Sweden
  • 2024: Invited Speaker, ‘Like a rolling marble: Waddington’s landscape vibrant legacy and beyond’, École Normale Supérieure de Lyon, France
  • 2024: Artist Talk, ‘And She Built a Crooked House’, Central Saint Martins, UAL
  • 2023: Artist Talk with Mark Blacklock, chaired by Mariam Zulfiqar, Director of Artangel, Burton Grange, Leeds
  • 2022: Summer Academy (Organised by Hans-Jörg Rheinberger and Staffan Müller-Wille) – “Science and Art – Art and Research Today”, Switzerland, August 22-29
  • 2021: Royal College of Art, Artists Talk
  • 2021: Royal Drawing School, London, ‘Botanical minds: Gina Buenfeld-Murley and Gemma Anderson in conversation with Claudia Tobin’
  • 2019: Interdisciplinary session (Art/Science/Philosophy): ‘Representing Protein Dynamics: An interdisciplinary approach’, The International Society for the History, Philosophy, and Social Studies of Biology (ISHPSSB) Conference 2019: July 7-12, University of Oslo, Norway
  • 2018: Interdisciplinary session (Art/Science/Philosophy): ‘Drawing as a way of knowing Mitosis’ with John Dupré and James Wakefield, Society for the Philosophy of Science in Practice (SPSP), Ghent, July
  • 2018: Invited speaker, ‘Artistic Research in a scientific context: Methods and challenges’, Society for the Philosophy of Science in Practice (SPSP), Ghent, July
  • 2018: Invited speaker, ‘Drawing complexity’, 9th Workshop of the Society for the Philosophy of Information, Brussels, June
  • 2018: Invited speaker, ‘Process Philosophy of Biology and Art’, End of the World Garden, Cornwall, August
  • 2018: Invited speaker, ‘Brain Visions: Geometry, Art and Symbolism’, Centre L’Oubradou, France
  • 2018: Process Biology: Final Conference of the ERC Project ‘A Process Ontology for Contemporary Biology’: Modular exhibition structure ‘Representing Biology as Process’, The Royal Institution, London, 21-23/04/18
  • 2017: Paper and exhibition presentation at ‘On Growth and Form’ workshop, Lorentz Center, Snellius, Leiden University, Netherlands, 23-27th October 2017
  • 2017: Invited speaker, ‘Fabulous Alternatives’, Wellcome Trust, London, 30th March
  • 2017: Invited Speaker, London LASER, Central St Martins School of Art and Design, London, October
  • 2017: ‘Representing Biology as Process’, presentation for International Society for History, Philosophy and Social Studies of Biology (ISHPSSB) conference, São Paulo, Brazil, 16-21st July
  • 2017: Artists Talk, University of Applied Arts, Vienna, 28 May 2017
  • 2017: Artist Talk, Academy of Fine Arts, Vienna, 23rd May 2017
  • 2017: Artist talk, Ordering Nature: Fabulous Alternatives, part of “Making Nature: How we see animals”, Wellcome Collection and Grant Museum of Zoology, London
  • 2016: ‘Beyond Impact: Drawing as a way of knowing in Biological Sciences’, Keynote Lecture, Society for Experimental Biology, Charles Darwin House, London
  • 2016: Artist talk, Artistic Research Cluster, Plymouth University
  • 2016: ‘Drawing as a way of knowing: artistic research and the intention to represent biology as process’, Konrad Lorenz Institute, Vienna
  • 2016: ‘Isomorphology’ Drawing workshop, The Big Draw Festival, Royal Society, London
  • 2015: ‘May the 4th be with you’ Science Museum LATES, Science Museum, London
  • 2015: ‘Drawing in the 4th Spatial Dimension’, workshop, Thinking Through Drawing Symposium, London
  • 2015: ‘The Art and Science of Modern Systematics’ Interdisciplinary Symposium, Hannover, Germany
  • 2014: Speaker, Panelist and Exhibitor, University Art Association Canada Conference, Toronto, Canada
  • 2014: Speaker, International Word and Image Association Conference, Dundee University
  • 2014: Speaker, Mathematics and Culture Conference, Institute of Science, Venice
  • 2014: Presenter, Big Draw Workshop, The Natural History Museum, London
  • 2013: Speaker, Drawing Research Network Conference, Metropolitan Museum, NYC
  • 2013: Guest Speaker, Cluster of Excellence, Humboldt-Universität, Berlin
  • 2013: Presenter, Nature Live, Natural History Museum, London
  • 2012: Keynote: ‘Drawing in Mathematics’ at ‘Drawing in STEAM’ Conference, University of the Arts London
  • 2012: Speaker, ‘Drawing Out’ conference, University of the Arts London
  • 2012: Speaker, Drawing Research Network conference, Loughborough University
  • 2010: Speaker, National Portrait Gallery, ‘Contemporary Portrait Practices’ Seminar

Academic Posts and Experience

University of Exeter / Royal College of Art / Falmouth University / University of the Arts London / Imperial College London

  • 2011-present: Lecturer of Drawing, Falmouth University
  • 2018: International Visiting Fellow, Grinnell College, Iowa, US
  • 2017-21: Research Fellow, Egenis, Centre for the Study of the Life Sciences, and LSI, Living Systems Institute, University of Exeter
  • 2016: Artistic Research Fellow, Department of Mathematics, Imperial College London
  • 2016: Honorary Research Fellow, Exeter Centre for the Study of the Life Sciences Egenis, University of Exeter
  • 2015: Drawing Studio Tutor, Royal College of Art
  • 2014: Visiting Lecturer MFA, Ontario College of Art and Design, Toronto, Canada
  • 2014: Visiting Lecturer, BA Drawing, Camberwell College of Art, University of the Arts London
  • 2013: Guest Lecturer, ‘Science, Art and Design’ Module, Imperial College London

Academic Module and Course Design

  • 2018: ‘Biology and Art: Investigations through drawing’ Interdisciplinary undergraduate module (three weeks), Grinnell College, Iowa, US
  • 2023: Artistic Research Intensive Workshop (five days), l’Ecole Média Art du Grand Chalon (EMA) 14/03/23 – 17/03/23
  • 2022: ‘Creative Morphology’ Masterclass (three days), 14-16th March, Oslo National Academy of the Arts

Selected Drawing Workshops and Courses

  • 2024: DIY Breastfeeding Images; bio-psycho-social-spatial-cultural-visual, Cambridge Lactation Network, Cambridge University
  • 2023: 4D Yoga; Asana, meditation and visualisation workshop, And She Built a Crooked House, Leeds
  • 2022: ‘Drawing and making the fourth spatial dimension’ Summer Academy (Organised by Hans-Jörg Rheinberger and Staffan Müller-Wille) – “Science and Art – Art and Research Today”, Switzerland, August 22-29
  • 2021: ‘Relational Process Drawing’, ZKM Centre for Art and Media, Karlsruhe, Germany
  • 2019: ‘Drawing life’, British Science Festival, Coventry
  • 2019: ‘Drawing dynamic form’, Eden Project, Cornwall
  • 2018: ‘Observation and Visualisation in Art and Science’, Camden Arts Centre, London (Weekend Enquiry)
  • 2018: ‘Drawing Information’, 9th Workshop of the Society for the Philosophy of Information, Brussels, June
  • 2018: ‘Molecules of Life: Exploring Proteins through drawing, movement and origami’, The Eden Project, Cornwall
  • 2018: Drawing Lab Series ‘Transformations of Light’, Vollmer Lab, Living Systems Institute, University of Exeter
  • 2017: Drawing Lab Series ‘Choreographing Mitosis’, Wakefield Lab, Living Systems Institute, University of Exeter
  • 2017: ‘On Growth and Form’ workshop, Lorentz Center, Snellius, Leiden University, Netherlands, 23-27th October 2017
  • 2016: ‘Isomorphology with the Natural History Museum collections’, The Big Draw Highlight Event, The Royal Society, London
  • 2016: ‘Isomorphogenesis: Drawing images of development’, Konrad Lorenz Institute, Vienna, Austria
  • 2016: ‘Artistic fieldwork and plant identification in the field’ in collaboration with Dr. Colin French, as part of GROUNDWORK, Arts Council Funded Project
  • 2015: CMADC Workshop ‘The Isomorphology of the Lizard’ in collaboration with Dr. Colin French, Loe Bar and Cornwall Morphology and Drawing Centre, Cornwall
  • 2015: CMADC Workshop ‘Drawing in the Fourth Spatial Dimension’ in collaboration with mathematician Prof. Alessio Corti, Cornwall Morphology and Drawing Centre, Cornwall
  • 2015: CMADC Workshop ‘Drawing the Six Crystal Systems’ in collaboration with mineralogist Courtenay Smayle, Cornwall Morphology and Drawing Centre, Cornwall
  • 2015: CMADC Workshop ‘The Art and Science of Systematics’ in collaboration with Dr. Gavin Broad, Cornwall Morphology and Drawing Centre, Cornwall
  • 2015: ‘Observation, Microscopy and Morphology’, Royal College of Art in collaboration with Natural History Museum
  • 2015: ‘Drawing and Dance’ Collaboration with dancer Katrina Brown, Falmouth University
  • 2015: ‘Isomorphology workshop at Eden’, The Eden Project, Cornwall
  • 2015: ‘Drawing in the Fourth Spatial Dimension’, in collaboration with mathematician Prof. Alessio Corti, Thinking Through Drawing Symposium, The Bargehouse, Southbank, London
  • 2014: ‘Creative Morphology’ in ‘Drawing Making: Making Drawing’, Drawing Room, London
  • 2014: ‘Experimenting with observational drawing and algorithm in response to natural form’, The Big Draw, Natural History Museum
  • 2013: ‘Drawing resemblances of the Animal, Mineral, Vegetable’, Grant Museum, London
  • 2013: ‘Deconstructing Morphology’, Natural History Museum, Berlin
  • 2013: ‘Goethean observation and artistic fieldwork’, Cill Rialaig Art Project, Co. Kerry, Ireland
  • 2012: ‘Goethean observation and drawing in scientific practice’, Natural History Museum London (for NHM scientists)
  • 2011: ‘Drawing and Microscopy’, Biosciences Department, Exeter University
  • 2011: ‘Drawing Plant Form and Symmetry’, Tresco Abbey Gardens, Isles of Scilly

Professional and Community Services

  • 2025: Peer reviewer, JAR (Journal for Artistic Research)
  • 2018: Judge for the Big Draw Awards, London
  • 2017: Co-organiser, ‘On Growth and Form’ interdisciplinary conference, Lorentz Center, Snellius, Leiden University, Netherlands, 23-27th October 2017
  • 2017: PhD Examiner, University of Newcastle, Australia, 2017
  • 2016-present: Founder and convener, ‘Art and Science Interest Group’, Natural History Museum, London
  • 2016-present: Curator of online drawing research page for ‘The Big Draw’ organisation
  • 2014-15: Founder and Director, Cornwall Morphology and Drawing Centre, CAST, Cornwall
  • 2015: Coordinator for Arts Stream, Interdisciplinary Symposium, Hannover, Germany
  • 2015-present: Reviewer, Leonardo Journal, MIT Press
  • 2014-present: Founder and convener of Falmouth University ‘Drawing Research in Art & Science Group’
  • 2014: Creative Exchange Affiliate, Environment and Sustainability Institute, University of Exeter
  • 2014-present: Reviewer, TRACEY Journal of Drawing Research

Academic Affiliations

  • 2021-present: Honorary Research Fellow, Global Systems Institute, University of Exeter
  • 2018: International Visiting Scholar, Grinnell College, Iowa, US
  • 2017-20: Research Fellow, Egenis, Centre for the Study of the Life Sciences, and LSI, Living Systems Institute, University of Exeter
  • 2017: Fellow, Konrad Lorenz Institute, Klosterneuburg, Austria
  • 2017: RANE Research Associate, Falmouth University
  • 2017: Co-Covener of ‘On Growth and Form’ week long workshop, Lorentz Center, Snellius, Leiden University, Netherlands, 23-27th October 2017
  • 2016: Honorary Research Fellow, Egenis, University of Exeter
  • 2016-present: Drawing Research Associate, The Big Draw
  • 2014-present: Creative Exchange Affiliate, Environment and Sustainability Institute, University of Exeter

Maternity Leave

  • January 2020-November 2020

Other Qualifications

  • 2016-2018: Devon School of Yoga 500 Hours Teaching Training Diploma
  • 2002: Voluntary Services Overseas (VSO) ‘World Youth Millennium Award’ Recipient